How to Read a Sumba Ikat
On the easternmost islands of Indonesia, a cloth records rank, cosmology, and the patience of two years at the loom. Here is how to read one.
Read the entry →On the woods, the workshops, and the long way a piece travels from Java to a house in Escazú.
On the easternmost islands of Indonesia, a cloth records rank, cosmology, and the patience of two years at the loom. Here is how to read one.
Read the entry →Fifteen years in Indonesia taught us that a plank of teak carries its own date, if you know where to look.
Read the entry →After fifteen years of acquiring across Java and Bali, we have learned that a piece tells you where it has been — if you know how to read it.
Read the entry →Fifteen years of buying across Java and Bali, and the slow work of reading a piece before it is ever moved.
Read the entry →What fifteen years in Java taught us about building outdoor rooms from wood that has already survived a century.
Read the entry →Carved panels, colonial shutters, and teak doorframes were built to outlast the houses that held them. Here is how they settle into contemporary rooms.
Read the entry →Fifteen years across Java and Bali taught us that a room is built by subtraction, and that the best piece is usually the one you wait for.
Read the entry →Character is not decorated onto a room. It is acquired, one object at a time, over years — and it shows.
Read the entry →Fifteen years of acquiring across Java and Bali, distilled into what to look at first, and what most people miss.
Read the entry →Reclaimed hardwood from Indonesia is not a compromise on new timber. It is the better material, and the older one.
Read the entry →Fifteen years across Java and Bali taught us to read a piece before we buy it. Here is what that looks like.
Read the entry →Fifteen years working with Indonesian hardwood taught us that caring for it in the tropics is mostly a matter of doing less, and doing it patiently.
Read the entry →After fifteen years across Indonesia, the difference between the two comes down to time, provenance, and what you are willing to leave empty.
Read the entry →What teak, suar, and carved ironwood reveal about the workshops and centuries that shaped Indonesian furniture.
Read the entry →Fifteen years buying in Java and Bali taught us what the grain, the joint, and the finish reveal about how a piece will live for a century.
Read the entry →Fifteen years of buying in Java and Bali taught us that the good rooms are never all old or all new. They are a conversation.
Read the entry →The Javanese joglo stands on four posts and a stacked timber roof, held by joinery rather than fasteners. Here is what the wood tells you.
Read the entry →The difference between a resort that reads as Southeast Asian and one that reads as a set is decided in the workshop, not the rendering.
Read the entry →Three woods, three temperaments. What fifteen years in Java taught us about choosing the one that suits your house.
Read the entry →Fifteen years buying across Java and Bali taught us that age is not a claim. It is a set of things you can see and touch.
Read the entry →Before it becomes a table in Escazú, a plank of reclaimed teak has already lived a century in Java. Here is what that century leaves behind.
Read the entry →A century of Indonesian wood already knows how to live in heat and light. The modern tropical house is where it belongs.
Read the entry →