What Teak Wants in a Costa Rican House
Fifteen years working with Indonesian hardwood taught us that caring for it in the tropics is mostly a matter of doing less, and doing it patiently.
Read the entry →On the woods, the workshops, and the long way a piece travels from Java to a house in Escazú.
Fifteen years working with Indonesian hardwood taught us that caring for it in the tropics is mostly a matter of doing less, and doing it patiently.
Read the entry →After fifteen years across Indonesia, the difference between the two comes down to time, provenance, and what you are willing to leave empty.
Read the entry →What teak, suar, and carved ironwood reveal about the workshops and centuries that shaped Indonesian furniture.
Read the entry →Fifteen years buying in Java and Bali taught us what the grain, the joint, and the finish reveal about how a piece will live for a century.
Read the entry →Fifteen years of buying in Java and Bali taught us that the good rooms are never all old or all new. They are a conversation.
Read the entry →The Javanese joglo stands on four posts and a stacked timber roof, held by joinery rather than fasteners. Here is what the wood tells you.
Read the entry →The difference between a resort that reads as Southeast Asian and one that reads as a set is decided in the workshop, not the rendering.
Read the entry →Three woods, three temperaments. What fifteen years in Java taught us about choosing the one that suits your house.
Read the entry →Fifteen years buying across Java and Bali taught us that age is not a claim. It is a set of things you can see and touch.
Read the entry →Before it becomes a table in Escazú, a plank of reclaimed teak has already lived a century in Java. Here is what that century leaves behind.
Read the entry →A century of Indonesian wood already knows how to live in heat and light. The modern tropical house is where it belongs.
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